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"Oh! that is really shocking," says Violet, with a curl of her very short upper lip. In the beginning there was water everywhere; nothing else was to be seen. There was something floating on the water, and on this raft were Old Man and all the animals. "Your description is graphic," he answers, lightly, "if faintly unkind; but when is the truth civil? You are right. Younger sons, as a rule, are not run after. Mammas do not hanker after them, or give them their reserve smiles, or pull their skirts aside to make room for them upon small ottomans.".

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"It is down by the river," the old woman answered. "We pound on it and the buffalo run out." His tone, his emphasis on the pronoun, is significant. She is country bred, and clothed in country garments, yet her beauty is too great to be deniable. She is not "divinely tall," but rather of medium height, with an oval face, and eyes of "heaven's own blue." Their color changes too, and deepens, and darkens, and grows black and purple, as doth the dome above us. Her mouth is large, but gracious, and full of laughter mixed with truth and firmness. There is no feature that can so truly express character as the mouth. The eyes can shift and change, but the mouth retains its expression always. "I wasn't alluding to your hands; though I might," says Nolly, pathetically. "I was only going to tell you what Jack said to Violet. 'What darling little hands you have!' he whispered, with the very silliest expression on his face I ever saw in my life; 'the prettiest hands in the world. I wish they were mine.' 'Gracious powers!' said I to myself, 'I'm in for it;' and I was as near falling off the branch of the tree right into their arms as I could be. The shock was too great. I suppressed a groan with a manful determination to 'suffer and be strong,' and——".